In my daily work I honour the guiding spirit of Bruce Fraser, a man whose singular vision has positively influenced every aspect of digital imaging from the very early days.
Anyone who wishes to know more about how Adobe Photoshop guru and "Real World Photoshop" author Bruce Fraser has contributed to our industry should simply Google "Bruce Fraser" and prepare to be impressed.

Sadly Bruce Fraser passed away December 16 2006, please click here for more about the great man at PhotoshopNews.com.

neil barstow

Click here for info. about "Getting Colour Right", an easy to read book on colour correction, including the basics of good colour management practice. I acted as technical editor on this book, working very closely with the author Michael Walker on the Colour Management and Colour Correction sections. The book sets out the ground rules in clear English and includes many work-throughs. At well under 20 pounds, I hope it's considered a bargain and worth reading by anyone interested in getting a thorough grounding, or, for the more experienced, providing a few reminders of theory and the rules of the road."

The term Colour Management makes some people feel sleepy - but ideally it should be an invisible helper. Like the EngineManagement of a modern car, if you're aware it's there and that it's important enough to keep well maintained, that's enough. Some understanding, as it applies to daily work, is important, but you don't need to swallow the whole pill, it's too big anyway.
In digital imaging, the preservation of original colour, tone and detail right through to the end result is the real aim. As imaging evolves and printing improves, the quality of archives will be increasingly important. That's our business, quality. Unfortunately, coming to terms with the concepts of CM and the way it protects image quality is a nightmare experience for many users, who seek the information from conflicting ideas proposed in books and on the web, whilst working hard to earn a living.
Neil Barstow's 25 years experience in high end Advertising photography means that we can help our clients come to terms with the technology and, thus, capitalise on the real advantages of the digital workflow - and fast. Just a fix for an Epson printer which gives unpredictable results? - a simple look over your setup? - full implementation? - we are here to help. Don't be put off by the apparent complexity, it's actually pretty simple once understood in your own work environment.

if you missed the 2004 UK Seminars we did with Thomas Holm of Pixl Aps, you may like to click to register interest in future events - we'll keep you posted.